| 3:16 | Est. Play Time |
| 59 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Harpsichord |  |
25 | 39 | 6 | 9 | 97% |
 |
26 | 21 | 6 | 9 | 100% | |
| View all 9 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Harpsichord | |
25 | 39 | 6 | 9 | 97% |
|
26 | 21 | 6 | 9 | 100% | |
| Contrabasses | |
21 | 0 | 5 | 9 | 100% |
| Violins 1 |
|
21 | 0 | 4 | 9 | 100% |
| Violins 2 |
|
19 | 0 | 4 | 9 | 100% |
| Violoncello | |
21 | 0 | 5 | 9 | 100% |
| Violoncellos | |
21 | 0 | 5 | 9 | 100% |
| Rinaldo | 17 | 0 | 4 | 8 | 79% | |
| Viola | 10 | 0 | 1 | 6 | 25% |
| 0:40 | Est. Play Time |
| 39 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Harpsichord | |
16 | 24 | 10 | 7 | 100% |
|
21 | 23 | 10 | 7 | 100% | |
| View all 8 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Harpsichord | |
16 | 24 | 10 | 7 | 100% |
|
21 | 23 | 10 | 7 | 100% | |
| Basso Continuo | |
17 | 0 | 6 | 7 | 100% |
| Violoncello | |
17 | 0 | 6 | 7 | 100% |
| Contrabass | |
16 | 0 | 6 | 7 | 97% |
| Violins | |
19 | 0 | 6 | 7 | 97% |
| Mago as bass |
|
12 | 0 | 3 | 7 | 75% |
| Viola | 7 | 0 | 3 | 5 | 15% |
| 5:20 | Est. Play Time |
| 51 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Harpsichord | |
19 | 40 | 3 | 8 | 70% |
|
23 | 24 | 4 | 5 | 100% | |
| View all 9 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Harpsichord | |
19 | 40 | 3 | 8 | 70% |
|
23 | 24 | 4 | 5 | 100% | |
| Violoncello | |
20 | 0 | 3 | 5 | 100% |
| Mirtillo | 17 | 0 | 6 | 6 | 76% | |
| Contrabasses | |
8 | 0 | 0 | 5 | 10% |
| Viola | 9 | 0 | 0 | 4 | 10% | |
| Violins 1 |
|
9 | 0 | 0 | 5 | 10% |
| Violins 2 |
|
10 | 0 | 0 | 4 | 10% |
| Violoncellos | |
8 | 0 | 0 | 5 | 10% |
| 2:11 | Est. Play Time |
| 48 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Continuo | |
15 | 0 | 4 | 5 | 100% |
| Almira | |
14 | 0 | 3 | 6 | 52% |
| View all 10 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Continuo | |
15 | 0 | 4 | 5 | 100% |
| Almira | |
14 | 0 | 3 | 6 | 52% |
| Fernando | 14 | 0 | 4 | 6 | 46% | |
| Harp | |
19 | 25 | 6 | 4 | 42% |
|
13 | 11 | 3 | 4 | 42% | |
| Harpsi | |
16 | 17 | 4 | 3 | 33% |
|
17 | 15 | 5 | 3 | 33% | |
| Lute | |
17 | 17 | 6 | 2 | 25% |
|
21 | 15 | 7 | 2 | 29% | |
| Osman | 11 | 0 | 1 | 3 | 17% |
| 5:29 | Est. Play Time |
| 58 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Cembalo Continuo | |
21 | 86 | 6 | 9 | 100% |
|
22 | 37 | 5 | 6 | 99% | |
| View all 10 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Cembalo Continuo | |
21 | 86 | 6 | 9 | 100% |
|
22 | 37 | 5 | 6 | 99% | |
| Violoncello Continuo | |
17 | 2 | 1 | 3 | 86% |
| Violins | |
15 | 0 | 2 | 8 | 73% |
| Rodelinda | |
13 | 0 | 3 | 5 | 68% |
| Contrabasses | |
14 | 0 | 0 | 3 | 60% |
| Violincello Continuo | |
14 | 0 | 0 | 3 | 60% |
| Violas | 13 | 0 | 2 | 5 | 55% | |
| Bassoon Continuo | |
14 | 0 | 0 | 3 | 15% |
| Oboe | |
10 | 0 | 0 | 6 | 14% |
| 3:55 | Est. Play Time |
| 56 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Cembalo Continuo | |
23 | 74 | 5 | 7 | 100% |
|
17 | 19 | 2 | 4 | 100% | |
| View all 8 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Cembalo Continuo | |
23 | 74 | 5 | 7 | 100% |
|
17 | 19 | 2 | 4 | 100% | |
| Violoncello Continuo | |
16 | 0 | 2 | 4 | 100% |
| Bertarido | |
13 | 0 | 2 | 6 | 76% |
| Vln 1 |
|
14 | 0 | 0 | 7 | 57% |
| Contrabass Continuo | |
11 | 0 | 0 | 4 | 53% |
| Viola | 10 | 0 | 0 | 4 | 47% | |
| Vln 2 |
|
11 | 0 | 0 | 5 | 47% |
| 4:43 | Est. Play Time |
| 51 | Measures |
| 1,285Kb |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Violoncello (Continuo) | |
23 | 0 | 8 | 4 | 99% |
| Contrabassi (Continuo) | |
22 | 0 | 7 | 4 | 97% |
| View all 10 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Violoncello (Continuo) | |
23 | 0 | 8 | 4 | 99% |
| Contrabassi (Continuo) | |
22 | 0 | 7 | 4 | 97% |
| Violoncelli (Continuo) | |
21 | 0 | 7 | 4 | 97% |
| Cemballo (Continuo) |
|
26 | 37 | 9 | 5 | 90% |
|
33 | 23 | 12 | 6 | 96% | |
| Violins
I |
|
22 | 0 | 6 | 4 | 95% |
| Violins
II |
|
21 | 0 | 5 | 4 | 91% |
| Tenor as Goffredo |
14 | 0 | 5 | 6 | 60% | |
| Bassoon (Cembalo) |
|
18 | 0 | 4 | 4 | 47% |
| Oboe | |
18 | 0 | 5 | 4 | 47% |
